Tracing technoscapes : the production of Bronze Age wall paintings in the Eastern Mediterranean / edited by Johannes Becker, Johannes Jungfleisch, and Constance von Rüden.
Material type:
- 9789088906886
- 9789088906879
- ND2560 .T73 2018
Browsing Hollanda Araştırma Enstitüsü Kütüphanesi / Netherlands Institute in Turkey Library shelves Close shelf browser (Hides shelf browser)
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
||
NB133.7.H47 O94 2018 Çoban Herkül'ü Yordu! / | NB135 .M39 1996 The fire of Hephaistos : | ND653.S895 R87 2019 "His great genius was to make landscapes" : | ND2560 .T73 2018 Tracing technoscapes : | NK3803 .D67 2019 Keramikassemblagen der späten Bronzezeit aus dem Königspalast von Qaṭna und eine vergleichende Betrachtung zeitgleicher Keramik Westsyriens und der Levante / | NK3870 .V7620 2019 Bizans'tan modern döneme Ege'de seramik : | NK7365.G39 U37 2016 Osmanlı dönemi Gaziantep kuyumculuğu / |
Includes bibliographical references.
Colourful surface treatments form an integral element of vernacular and élite architecture of ancient societies. This is also true for the various regions of the Eastern Mediterranean in the 2nd millennium B.C.E., where elaborate wall paintings furnished temples, tombs, palatial buildings, and in general more elaborate houses. From a present-day perspective, these rich images provide invaluable insights into past realities as well as interconnections between different visual systems. However, beyond stunning images, the materiality of wall paintings implicates a whole range of specific technical choices and gestures executed during the artistic process. The bodies of knowledge immanent in the practice of plaster and pigment preparation, in the application of paint and in the conception and execution of compositions allow us to compare the wall painting corpora of the Eastern Mediterranean on a technical level and to trace differences and similarities in a cross-cultural perspective.
In English; one chapter in French.
There are no comments on this title.